Still sugarcoated with sweet and cheesy lines from Dilan, a bad boy who loves to write poetry, Dilan 1991 is not poetic at all but more likely pathetic.Īlthough Dilan 1990 and Dilan 1991 are just subpar movies, but the movies are success in convincing the audience that Dilan is not just some boy and Milea is not just some girl. The romance of Dilan and Milea is still the only one selling point of this movie, but it’s not as fresh as its predecessor. Setelah sukses dengan sekuel pertamanya di tahun 2018 lalu, kelanjutan kisah cinta antara Dilan dan Milea dalam film Dilan 1991 tampaknya sudah dinantikan oleh banyak orang. But yet, he is not funny at all and doesn’t give any impact to the movie. The teacher of Indonesian language and letters who fall in love with his student. Pak Dedi (Ence Bagus) also has a great potential to become a funny character and comic relief of the whole story. But with how Yugo is depicted, he is just like an ordinary cameo. The conflict that arise with Yugo’s character can actually make the whole plot has more ups-and-downs and shows that Dilan finally has a rival, a nice and warm-hearted guy. We can see Milea has a problem with Dilan’s activity to a bike gang, the story of Milea with Yugo (Jerome Kurnia), Milea and Kang Adi (Refal Hady), Dilan and how he is running away from home, and Milea’s strong relationship with Dilan’s mother (Ira Wibowo).ĭilan 1991 have two new strong potential characters, Yugo and Pak Dedi. The plot seems doesn’t have a focus, too many things and problems exists without any strong understanding of how do they happen. Di sini, hubungannya dengan Dilan sudah naik level. Tak seperti buku pertamanya, Dilanku 1991 ini lebih fokus bercerita dari perspektif Milea, si gadis paling berpengaruh bagi kehidupan Dilan. The flirts and pick-up lines are still there but they are becoming more and more boring. Dilan: Dialah Dilanku Tahun 1991 merupakan lanjutan dari novel bagian pertama karangan Pidi Baiq atau Surayah, yaitu Dilan: Dialah Dilanku Tahun 1990. But the problem is that the conflicts are flat and hard to relate for a teenage romance. The sequel shows more about the reality of relationship with all of its conflict instead of the sweety happily-ever-after love story. Still coated with many cheesy pick-up lines, the romance of Dilan and Milea is still the main plot of Dilan 1991.
Novel dilan 1991 movie#
The movie is full of cheesy and absurd flirts, and silly romance of how Dilan win Milea’s heart. If Dilan 1990 shows the effort of how Dilan (Iqbaal Ramadhan) in appraoching Milea (Vanesha Prescilla), the sequel shows more about the story of their relationship when they are officially a couple.Īs a refreshner, in short, the whole story of Dilan 1990 is how a warlord of a motorbike gang meet a cute, sweet and smart girl who just move from Jakarta to Bandung. Although the later is not as good as Gita Cinta Dari SMA and AADC.Īfter Dilan 1990 hyped and become the second best-selling movie of all time in Indonesia with 6.2 million moviegoers, Dilan and Milea got into more serious relationship. Take a look at Galih and Ratna from Gita Cinta Dari SMA (1979), Cinta and Rangga from Ada Apa Dengan Cinta? (2002), and now Dilan and Milea. Zirə Bilal Hamdi və Dilan Duventru ilə muqavilə bağlayıb facebook.Highschool love story has always been a favourite theme in Indonesia’s cinema and the genre has produced several legendary on-screen couples in Indonesia movie history.
Novel dilan 1991 tv#
Sehnaz Dilan born Sehnaz Vreskala on Augis a Turkish former women s footballer, model, film and TV actress and singer.The film is based on the novel Dilan Dia adalah Dilanku Tahun 1990 Dilan He is My 1990 Dilan by
Dilan 1990 is a 2018 Indonesian romantic drama film.Vanesha Prescilla as young Milea Adnan Hussain.Adhisty Zara JKT48 as Disa, Dilans younger sister.Jerome Kurnia as Yugo, Mileas distant relative.Moira Tabina Zayn as Airin, Mileas sister.Maudy Koesnaedi as Tante Anis, Yugos mother.Andovi da Lopez Mas Herdi, adult Mileas boyfriend.Sissy Priscillia as adult Milea Adnan Hussain voice only, narrator.
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